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BRIHAT STOTRA RATNAKAR TELUGU PDF

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Brihat Stotra Ratnakar Telugu Pdf

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Out of forty three stories in Hitopadesha twenty five have been drawn from Panchatantra. Hitopadesha is a manual of politics for Kings in internal and foreign policy. It has many portions which are an embodiment of deep rooted political knowledge. The language of Hitopadesha is simple end easy flowing without any embellishment yet it is forceful and effective.

Hitopadesha has been much more popular in India and Europe and has been translated in many Indian and foreign languages. The earliest forms of dramatic literature in India are represented by Samvada — Suktas hymns which contain dialogues of Rigveda. Bharata muni is the founder of the Science of music and dramaturgy.

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His Natyashastra, with an encyclopedic character, is the earliest known book on Sanskrit dramaturgy. The first chapter of Natyashastra relates to the origin of drama. The gods under the leadership of Indra, expressed their desire for some sort of drishya enjoyable by the eye Shravya delightful to the ear and Kridanaka entertainment to fulfil the desire. Brahma created a fifth Veda — Natyaveda, taking the elements from four vedas — Pathya dialogue or text from Rigveda, gita music from Samaveda, abhinaya acting from Yajurveda and rasa emotions from Atharvaveda.

Amritamanthan and Tripurdaha were the first two plays, which were staged on the occasion of Flag-ceremony of Indra. Bharatmuni and his disciples brought this art on the earth from heaven. Sanskrit dramaturgy has classified dramas into two types the major and the minor ones uparupaka.

There are eighteen classes of uparupakas. Most important of them are Natika, Sattaka and Trotaka.

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Vastu the plot , neta the hero and rasa the sentiments are the essential constituents of a drama or rupak. The plot of a rupak may be borrowed from history or tradition, or may be fictitious or mixed. The characteristic features of the Sanskrit drama, are — Absance of tragedy — Sanskrit drama never has a sad ending. It is a mixed composition, in which joy is mingled with sorrow.

Love is the main theme of most of the dramas and vidushak is the constant companion of the hero in his love affairs. The interchange of lyrical stanzas with prose dialogue. The use of Sanskrit and prakrit languages. Sanskrit is employed by the heroes, kings, Brahmanas and men of high rank, Prakrit by all women and men of the lower classes. Every Sanskrit play begins with a prologue or introduction, which opens with a prayer — nandi and ends with Bharata — vakya.

The best productions of the Sanskrit are the compositions of the great dramatists — Bhasa, Kalidasa, Bhavabhuti, Shudrak, Vishakhadatta and Rajeshekhar.

Brihat Stotra Ratnakara - Sanskrit Book

Sanskrit Poetry Sanskrit is the oldest language of the world. Since Sanskrit literature has come down to us through oral tradition called the Shruti Parampara, the maximum number of works are in poetry only.

Starting from the Rigveda, the earliest document in world literature, there is a continuous flow of Sanskrit works in poetry. The three Vedas — Rik, Sama and the Atharva are composed in verses.

The Upanishads are all written in poetry form. Our great epics Ramayana in couplets and Mahabarata in one lakh couplets are in verses only. The puranas are followed by the great Mahakavyas. Buddacharitam and Saunderananda are earliest in this line written by Ashvaghasha. Kiratarjuniyam in eighteen cantos is famous for its depth of expression.

He flourished in 7th century A.

It is said that the glow of stars like Bhairavi and Magha faded down on the rise of the sun like Naishadha Kavya. The historical works also are available in verses. The famous ones are Vikramankadevacharitam by Bilhan, Rajatarangini by Kalhan, Kumarpalacharitam by Hemchandra and many others. A huge amount of literature exists in the form of Khanda Kavyas, Giti Kavyas, Muktakas and stotra — kavyas.

Even in ancient times there was a long tradition of story telling. There are voluminous works in the form of collection of stories written in verses. In Panchatantra and Hitopadesha, the morals of the stories have been written in verses. The most popular works are Brihat Katha Manjari by Kshemendra containing verses, Kathasaritasagara by Somadeva written in couplets, Vaitala-pancha-vimshtika available in both the forms i.

A third form of literature came into existence known as champu kavyas written in mixed style of prose and poetry. Some of the works are Yashastilakchampu, Bharata champu etc. More than champu kavyas are available till date. The greatest speciality of Sanskrit Literature is that topics like law, medicine, astronomy, grammar, poetics, politics, mathematics, philosophy etc have also been written in verses only.

Some of the renowned works are the various Smrities law , Charaka-samhita, Sushruta Samhita medicines , Aryabhatiyam astronomy , Arthashastra political economy , Sahitya-darpanam, Rasagangadhara, Dhvanyaloka poetics and Natyashastra dramaturgy etc. The flow of Sanskrit poetry continues till date. They are the treasure-house of Indian civilization, culture and philosophy.

The Vedas are the treasure chest of knowledge in which each and every subject has been dealt with extensively be it philosophy, theosophy, ecology, astrology, astronomy, science or poetics.

According to the vedic thought, the entire cosmos is teleological, purposive and goal oriented. The built in Rita sustains controls and directs the entire world. The Vedas emphasize participatory living in a community. Move together. Speak with one voice. Try to understand each others mind-advise the Vedas. Vedic messages are universal in nature. They are four — Rigveda, Samveda, Yajurveda and Atharvaveda respectively. As is evident from its name itself, it comprises the glorification of various gods.

These gods represent natural and cosmic phenomena which have been idolized as Gods. These invocations are known as hymns, mantras or richas.

Rigveda is globally accepted to be the oldest literary work yet no definite date has been ascribed to its scripting. According to some scholars it has been scripted between and B. Although twenty one recensions of Rigveda have been mentioned yet only five are more popular — Shakala, Vashkala, Ashvalayana, Sankhyayana and Mandukayana.

Out of these five also, only Shakala is available.

According to Shakala recension, hymns of the Rigveda have been divided into suktas which further have been divided in ten mandalas. II to VII mandalas are the oldest ones and are similar in many ways. In IX mandala all the suktas have been offered to soma.

The X mandala is relatively later. There are some suktas which throw ample light on the beliefs, traditions and customs of the Vedic Aryans.

The Rigvedic religion was originally polytheistic but gradually it became monotheistic. Indra being the god of power, rain and also the synonym of the sun was the most important.

Next comes Agni who is the priest and the mediator between men and gods. In fact these were the divine manifestations of one great power only.

brihat stotra ratnakara

Vedic Aryans had very practical and optimistic approach towards life. There was no idol worship in those days. It is a collection of hymns largely drawn from the Rigveda which have been given a musical mode. Hence Samveda is a system of melodious chanting of vedic hymns. Samveda has two divisions- purvarchika and Uttararchika. Total mantras are Except seventy five mantras all have been taken from the Rigveda. Uttararchika has mantras divided in four hundred songs.

Each song has three mantras in average. Each sukta further has mantras. Mantras are uttered together with their swaras.

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Each swara of each letter in the veda is fixed and maintained. Thus the text could be preserved for generations together.

For all swaras, the basis is sound nada which can be characterized with variance — high, low and middle tone. The pronunciation of the letters are based on six factors - varna, swara, matra, balam, sama and santana. It is the main origin of musicology.

In fact gandharvaveda which has given birth to about sixteen thousand musical notes and their modifications has been deduced from Samveda only. In fact music is the living symbol of Vedic civilization. Gita Press: Sri Shivsahasranama Stotra.

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