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He abandoned his 14 year career in finance when the first book of the Shiva Trilogy, the Immortals of Meluha was released and followed it up with the Secret of. The Immortals Of Meluha (Tamil) and millions of other books are available for Amazon . The Immortals of Meluha (Shiva Trilogy) is the first chapter of the Shiva. The book is (a) marvellous attempt to create fiction from folklore, religion and archaeological facts.' – People. 'The Immortals of Meluha sees Lord Shiva and .

The Immortals Of Meluha Book In Tamil Pdf

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Fair call! The drama in the story takes new twist with the introduction of Sati - the name which reflects divinity in its female form. Sati is the daughter of king Daksha which truly has a mythical base. On the other hand, she is the god-daughter of lieutenant Parvatraj and legend says that Sati is often called Parvati as she is a descendant of parvatraaj Himalaya.

The romance of Shiva-Sati and their marriage serves the subplot where the main plot revolves round the battle between two kingdoms. The terrorist strikes by the ferocious Nagas also add new dimension to the buildup suspense. That was the time when oracles used to turn the wheel of fortune and kingship was seen as an order of divinity, a time which we believe never existed in reality but only in epics and mythologies.

And herein lies the greatness of our Classical super-past that always allows us a window to look through it only to find ourselves little insignificant beings in front of such a stupendous cultural cosmos. The story truly has captured the spirit of those bygone ages in their true color. Writing Style: The author has used our Classical legends as the springboard of his story.

The characters are not new, but the tales, told in the third person omniscient narrative, are totally a creation of esemplastic imagination. True to its pseudo-epic structure, tales are broken into episodes and readers will be glued to it once they start reading.

Traditional myth is seen through an alternative perspective. The quest for eradication of evil in the texts turns into a quest for identity and the true nature of evil.

Treatment of gender identities in the trilogy is also taken care of in the study. Colonisation dates back to B. The exclusion and inclusion of the marginal, eradication of social inequalities are studied too.

The paper also talks about the recent phenomena of neo-mythic novels in Indian subcontinent, and the way it exceeds the limits of a text. The recent trends in publishing and marketing strategy opted for the genre is also discussed in the paper. Myth is believed to be the foundational force of cultures and civilisations. From time immemorial, critics and theorists have attempted to study and analyse myths.

It has been an inevitable factor while studying the social, cultural, anthropological and religious history of Vol. The approach towards the study of myth has changed with the course of time. This has been done not by questioning the role of science in modern civilisations, but by providing an air of scientific explicability to myth.

ISBN 13: 9789383260157

Rather, they have re-characterized myth. Either myth, while still about the world, is not an explanation, in which case its function differs from that of science Malinowski, Eliade , or myth, read symbolically, is not even about the physical world Bultmann, Jonas, Camus , or [probably myth reconciles the both] Freud, Rank, Jung, Campbell.

In contemporary Indian literature, mythical stories have started showing vigorous presence. Writers like Amish Tripathi and Ashwin Sanghi among a host of others straddling both the mainstream and graphic novel universes have attempted at reworking mythical pasts Vol.

The novels often rework on the mythical past of India and intertwine them either with history, or with contemporary socio political scenario to put forward a new genre of fantastic fiction. The way these mythical pasts have been interpreted by authors, it can be said that they attempt at sanctioning and remodeling myths by doing a reconfiguration of the same. These reconfigurations in turn translate into a wider cumulative acceptance in the domain of logical scientific reality.

Throughout the novels, Tripathi has played with the conventional narrative structure and characters of our centuries-old myths. On the one hand, myth provides the structural backbone of the narrative and on the other, it acts as the reasons the plot thickens. The Neel-kanth myth becomes the driving force for the Meluhans, Swadweepans and the others.

Myth exists within the myth. The revered god Shiva turns into a tribal leader. Sati turns into a centenarian princess who is a social outcast. Kali and Sati are not same persona with different manifestations; rather they are here same face with different persona and identity.

Daksha becomes a power- hungry ruler whose sole satisfaction lies in enlarging his reign and maintaining the image before his subjects; even at the expense of his own family. Parashuram, the incarnation of Vishnu in traditional Hindu mythology, becomes a bandit with earnest passion for his own Vol. Most importantly, all the gods and goddesses become human beings of flesh and blood, they are vulnerable at times.

And this has been taken care of while making the cover pages as well. The challenge was to show him as vulnerable. I portrayed him from the back, because Indian gods are never seen from the back.

He has battle scars and a sculpted physique. The narrative becomes a symbol of pursuit of excellence: excellence of life, of future. It also becomes the inclusion and exclusion of the subaltern to the mainstream society.

In a similar process of de-deification, Rama becomes an ideal ruler; no longer relegated to the mythological hero. Vishnu becomes a title which is conferred upon people who achieve divinity by their great deeds. Tripathi has used the philosophical framework of ancient India. Creation, sustenance and destruction are mutually dependent processes.

In order to sustain harmony, destruction is as if not more! By providing a pseudo? Even the supernatural is not exactly so, it is these days couched in some kind of rational explanation. Even the initial air of unexplainable awe, respect and reverence for Shiva, the Neel-kanth is later explained as being the outcome of a pre-planned phenomenon. Rather, it was more of a chemical reaction taking place in a desired state of affairs; it was only the manifestation of a decision taken by the council of the Vayuputras, who has decided the arrival of the Neel-kanth much earlier.

The idea of divinity and godhood has been challenged in this way too. The individual prowess, greatness, sacrifices and valour is not enough to bestow him with the title of god.

The power structure acts silently to allow him to do so.

Shiva is successful in getting the best of each of the places described. But that privilege was a gift to him, a gift without any prior knowledge about it that leads him to discover his true identity and reason behind his true existence. The notion of god is challenged both from within and outside the framework of accepted notions and set of beliefs.

Restructured myth keeps on debunking the established version. The pursuit is undertaken by Shiva, the protagonist. The novels are manifestations of his journey.

In the course of these journeys, he discovers both the nature of the evil, and of his own identity. It starts from the Valley of Mansarovar, and then he visits the valley of Vol. Places like Ayodhya, Kashi, Branga, Panchavati, Dandakaranya reveal the nature of the nation to him, as well as his own identity and existence start being unfolded.

The journey brings him back to the source from where it began one day. The travel conveys him to his destination. He lives for the purpose he was made for. Along with it, the search for identity is underway. The position of a foreigner probably helped him to eke out the truths; we must not forget that the earlier Mahadev also was an outsider, who descended from Pariha.

The texts deserve to be treated carefully as representations of empires with different ruling and social system. The Immortals of Meluha begins with the descriptions of life in the tribes of Tibet.

Internal conflict and unrest among the tribes predominates their lives. It takes the best of both the Suryavanshi and Chandravashi way of lives and creates one for itself.

In Meluha, the king is the ruler. Every subject is bound to follow the rules as propagated by the king. Even the king and his family are also supposed to follow all the decorum. Theirs is an organised system-bound life. In Meluha, the society is at a stable state. Swadweepans have ultimate disparate social classes. It looks like a state of frenzy to the Vol. Freedom for the wretched to also have dignity.

Immortals of meluha

On a surface outlook, Meluha appears to be the perfect governance system one can ever have. But with gradual progress of the narrative, the lacunas make their presence prominent; the kind propagates of equality in his kingdom, but in reality exploits the system in favour of his own family. I want the entire vikarma law scrapped. Nobody will be a vikarma from now on.

Bad fate can strike anyone. It is ridiculous to blame their past lives for it.

This was unexpected. Like all Meluhans, he too was superstitious about the vikarma.

His displeasure was not with the vikarma law itself but with his daughter being classified as one. The proclamation will state that the entire vikarma law has been scrapped. The king was affectionate towards its subjects but that could not stop him from treating his own family as a privileged one.

Daksha was well aware of his power position and know how to exploit it. The same attitude reflects as he wishes to attack Swadweep and make it a part of Meluha. Swadweepans were not in the dire necessity of being governed by Meluhan system. The Meluhan emperor shows the attitude of the coloniser that makes him feel the urge to unite the free nations under one flag and rule over the entire dynasty.

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One must mention the Vol. Kashi becomes a point of confluence of every kind of beliefs, castes and creeds.

The liberalism practiced by Kashi does not make it vulnerable; rather this liberal framework makes it a place of ultimate peace and stability. The attitude of the king and the utopian Ram Rajya turns itself into dystopia. But the state provides the basic necessities. And in that, there is complete equality. The projected reality differs from the actual reality that differentiates them from the other dynasties. The Meluhan emperor intended to use the myth of Neel-kanth for his own purpose.

The power position alters as soon as Shiva starts discovering that the nature of evil is truly a relative one. There can be nothing like the absolute divine or the absolute evil. Tripathi structures an age old story within a modern perspective which allows interpretation and speculations, keeping in mind the contemporary socio-political scenario.

Gender positions in the trilogy require attention.Shiva took one last drag, then knocked the ash from the chillum and rose quickly from his perch. Ayurvati finds out that Shiva is the only one devoid of these symptoms and that his throat has turned blue. The first book of the trilogy uses a blue cover, the second one is with a green cover, and the last one features a red cover.

The books is available in paperback. What could possibly be wrong with that? Opens large pdf documents. If the society rewards trust, people will be trusting.

Together, they conspire to steal the secret formula of the Suryavanshi holy drink, Somrasa. Footnote texts in Epub, Mobi, Docx, Fb2 formats are printed at the bottom of the page, as in a paper book. New Softcover Quantity Available: